Abstract Paintings

My practice is not concerned with producing a finished image, but with sustaining a state of continuous becoming. Painting, for me, functions as an active site—where color, material, and bodily gesture continuously accumulate, collide, and revise themselves, forming an open-ended process of variation through repeated destruction and rewriting.

In the Variations · Traces · Mindscape series, I bring ink, acrylic, oil paint,  pictures and gold leaf together on aluminum panels, allowing the physical properties of each material to directly participate in the formation of the work. Permeation, layering, accumulation, scraping, and cutting are not stylistic choices, but traces left by time and action. “Traces” do not refer to a specific tool; rather, they mark the irreversible record of the body’s intervention in the surface.

Color functions as a force rather than ornamentation. The tension between warm and cool tones generates spatial vibration, suggesting a constant negotiation between order and instability. The compositions resist a fixed center or linear narrative, inviting the viewer into a shifting mode of perception—moving through a mindscape that is continuously rewritten.

This body of work neither depicts a specific landscape nor aims for pure abstraction. Instead, it operates as an imprint of inner experience—where perception, memory, and the present moment leave residual marks through material and gesture. Painting, for me, is not an act of completion, but a pause within an ongoing process.